Learn How To Gild A Byzantine Icon With Mixtion Glue
Last updated 10/2022
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 2.05 GB | Duration: 1h 38m
Learn all there is about gilding a Byzantine Icon and also how to add gold decorations on areas with color
What you'll learn
Learn how to traditionally gild a byzantine icon step by step using Mixtion glue
Learn the materials required for a gilded byzantine icon that looks professional
Learn step by step the secrets and process of applying gold leaves and how to avoid problems
Gild an icon with me, and feel confident about the outcome of your finished Icon
Requirements
You must have a wood board that is primed with gesso, and have the drawing of your icon transferred on the Icon. Tou will need real gold leaved (22carads and above - This method also works with imitation gold), wax shellac, mixtion glue, white spirit or turpentine oil.
Description
In this course you will learn what boards to use for egg tempera, how to transfer your drawing from paper on the board and then how to gild the background of an icon in a traditional and professional way. I explain the process dtep by step in an easy and understandable way. Along you will learn to gild all the gold decorations that are placed on a colored area. I will give you some tips on how to write or paint on an area that has been gilded, and how to also create the borders that surround the gold background of a byzantine Icon. This is not water gilding, but gilding with mixtion glue, wax shellac and turpentine oil. This produces a background that is more matte than the one of the water gilding, but is more subtle and charming and has proven to be absolutely stable against time and humidity. This is a method most of the professional iconographers use today because is much quicker and easier than the water gilding method and the result is just astonishing. Everything in this lesson can be used with imitation gold for those students who wish to practice a little with something less pricey than actual golden leaves.
Overview
Section 1: Introduction
Lecture 1 How to tranfer your drawing on the board
Lecture 2 Brief comment on the boards
Section 2: Applying wax shellac, the glue and the gold leaves
Lecture 3 Preparation of the board and application of gold leaves
Section 3: After the application of gold leaves
Lecture 4 Writting the borders and the letters on gold leaves
Lecture 5 The letters on gold
Lecture 6 Painting on the edge of gold
Section 4: Gilding on Color
Lecture 7 Gilding on color
Lecture 8 Protection of gold - Varnishing
Everyone who needs a clear, simple and professional way of applying gold leaves on a surface
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