* Cantinho Satkeys

Refresh History
  • FELISCUNHA: ghyt74   49E09B4F  e bom feriado   4tj97u<z
    Hoje às 10:39
  • JPratas: try65hytr Pessoal  h7ft6l k7y8j0
    Hoje às 03:51
  • j.s.: try65hytr a todos  4tj97u<z
    30 de Outubro de 2024, 21:00
  • JPratas: dgtgtr Pessoal  4tj97u<z k7y8j0
    28 de Outubro de 2024, 17:35
  • FELISCUNHA: Votos de um santo domingo para todo o auditório  k8h9m
    27 de Outubro de 2024, 11:21
  • j.s.: bom fim de semana   49E09B4F 49E09B4F
    26 de Outubro de 2024, 17:06
  • j.s.: dgtgtr a todos  4tj97u<z
    26 de Outubro de 2024, 17:06
  • FELISCUNHA: ghyt74   49E09B4F  e bom fim de semana
    26 de Outubro de 2024, 11:49
  • JPratas: try65hytr Pessoal  101yd91 k7y8j0
    25 de Outubro de 2024, 03:53
  • JPratas: dgtgtr A Todos  4tj97u<z 2dgh8i k7y8j0
    23 de Outubro de 2024, 16:31
  • FELISCUNHA: ghyt74  pessoal   49E09B4F
    23 de Outubro de 2024, 10:59
  • j.s.: dgtgtr a todos  4tj97u<z
    22 de Outubro de 2024, 18:16
  • j.s.: dgtgtr a todos  4tj97u<z
    20 de Outubro de 2024, 15:04
  • FELISCUNHA: Votos de um santo domingo para todo o auditório  101041
    20 de Outubro de 2024, 11:37
  • axlpoa: hi
    19 de Outubro de 2024, 22:24
  • FELISCUNHA: ghyt74   49E09B4F  e bom fim de semana  4tj97u<z
    19 de Outubro de 2024, 11:31
  • j.s.: ghyt74 a todos  4tj97u<z
    18 de Outubro de 2024, 09:33
  • JPratas: try65hytr Pessoal  4tj97u<z classic k7y8j0
    18 de Outubro de 2024, 03:28
  • schmeagle: iheartradio
    17 de Outubro de 2024, 22:58
  • j.s.: dgtgtr a todos  4tj97u<z
    17 de Outubro de 2024, 18:09

Autor Tópico: The Art of Figure to Ground Photography's untaught secret  (Lida 246 vezes)

0 Membros e 1 Visitante estão a ver este tópico.

Online mitsumi

  • Moderador Global
  • ***
  • Mensagens: 115395
  • Karma: +0/-0
The Art of Figure to Ground Photography's untaught secret
« em: 19 de Abril de 2020, 19:12 »


h264, yuv420p, 1280x720 |ENGLISH, aac, 44100 Hz, Stereo | 1h 02 mn | 711.35 MB
Created by: Adam Marelli

For years, the Art of Figure to Ground was only taught to artists. What you'll learn

Learn how and why we want to add layers in photography (and I'm not talking about Photoshop here)
Learn how Figure to Ground will help you spot a scene before it happens (I give examples of how I use this technique in the video)
How to make pictures with 1, 2, 3, or even 4 subjects at the same time.
Lessons from Master Artists in this video include: Raphael, John Singer Sargent, Rosso Fiorentino, Jacopo Pontormo, & Paolo Veronese
How to choose a background and what effect it will have on your subject.
A practical guide to take you from Black and White to Color pictures using the principles of Figure to Ground.
Step by step guide to seeing a photograph before it happens, so you don't miss the decisive moment.
By the end of this course you will have a new found appreciation for master artists and never run out of material for your own photography projects.

Requirements

A camera (any kind will do, from iPhone to Medium Format) trust me, it does not matter.
A notebook, we cover a lot of material. Its easier to write down your thoughts as you go along.
It is recommended that you watch "A Room for Improvement: Episode No 001, The Art of Seeing" first.

Description

In this course "The Art of Figure to Ground" we will explore how to add layers to your photograph. Artists have used layers to tell stories in their images, but to make them work effectively we must fully understand the concept of Figure to Ground relationships. From street photography to portraiture, every layer is an opportunity to add something to your picture.

Have you ever wondered why professional photographers always get good images? Are they just lucky or do they see the world differently?

A Room for Improvement is the first photography program that starts training your most important tool, Your Eyes. While most of the photography world is obsessed with gear and post production, the real secret to taking amazing images is learning how to see like an artist. Join artist & photographer Adam Marelli as he shares the tools, lessons, and training that classical artist use to bring images to life. As a trained photographer, painter, and sculptor Marelli combines twenty years of art eduction into simple to follow lessons that you can do in your own backyard.

COURSE STRUCTURE

This course is divided into 7 Lectures that are a Master Class in Figure to Ground.
Lecture 1: Why your discoveries matter?
Lecture 2: Spot the Background first?
Lecture 3: Use black and white to see color.
Lecture 4: Work like an artist.
Lecture 5: Solutions from my portfolio.
Lecture 6: See the photograph before it happens.
The lectures are designed to be watched in order, but you are free to skip around.
This course is approxiamtely 45 minutes, with downloadable images from the lecture, and an assignment designed to highlight the tools from each lecture.

Marelli uses his own work and the famous artists who influenced his work to reveal "how artists work" and "how they learned to see in a completely unique way." For centuries these concepts were reserved for artist guilds and apprenticeships, but for the first time they are being put in a language available to photographers.

EXPECT RESULTS

By the end of this course, you will understand why photographers always say that "the equipment doesn't matter." Learning to see like an artist is one of the single most fulfilling steps on the way to becoming a better photographer. In addition to improving your own work, you will be able to walk into any gallery or museum in the world and know, with full certainty, whether you are looking at a great piece of art or not.

Who this course is for:

Photographers who want to add layers to their photographs.
This course is designed for people who want to tell stories with their photographs.
This course will apply to Street Photography, Portraiture, Landscape, and Still Life photography.

Download link:
Só visivel para registados e com resposta ao tópico.

Only visible to registered and with a reply to the topic.

Links are Interchangeable - No Password - Single Extraction