Santana - Santana III (1971) [MFSL Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 286 Mb | Mp3 (CBR320) ~ 109 Mb | Scans included
Label: Mobile Fidelity Sound Lab/Columbia | # UDSACD 2158 | Time: 00:41:25
Classic Rock, Psychedelic Rock, Latin Rock, Jazz-Rock, Blues Rock
Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music.
Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon - who was 17 years old - into the original core lineup of Santana. Percussionist Thomas "Coke" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. "Batuka" is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon's harder, edgier rock & roll sound paired with Carlos' blend of ecstatic high notes and soulful fills. It cooks - funky, mean, and tough. "Batuka" immediately transforms itself into "No One to Depend On," by Escovedo, Carabello, and Rolie. The middle section is highlighted by frantic handclaps, call-and-response lines between Schon and Rolie, and Carlos joining the fray until the entire track explodes into a frenzied finale. And what's most remarkable is that the set just keeps on cooking, from the subtle slow burn of "Taboo" to the percussive jam workout that is "Toussaint l'Overture," a live staple in the band's set list recorded here for the first time (and featuring some cooking Rolie organ work at its beginning). "Everybody's Everything" is here, as is "Guajira" and "Jungle Strut" - tunes that are still part of Santana's live show. With acoustic guitars, gorgeous hand percussion, and Santana's fragile lead vocal, "Everything's Coming Our Way" is the only "feel good" track here, but it's a fitting way to begin winding the album down with its Schon and Santana guitar breaks. The album ends with a completely transformed reading of Tito Puente's "Para los Rumberos," complete with horns and frantic, almost insanely fast hand drumming and cowbell playing. It's an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision.
02. No One to Depend On (5:31)
03. Taboo (5:35)
04. Toussaint l'Overture (5:59)
05. Everybody's Everything (3:33)
06. Guajira (5:45)
07. Jungle Strut (5:22)
08. Everything's Coming Our Way (3:16)
09. Para los Rumberos (2:48)Download link:
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